Coming Soon
In the 1970s many thousands of young persons traveled from Europe to Asia on the Hippie Trail in search of adventure, spiritual enlightenment, and personal discovery. Their sprawling, free-wheeling escapades changed their lives and the places they visited. While the overland routebetween Amsterdam and Kathmandu no longer exists, its stopovers in India—Pushkar, Rishikesh, Hampi, Goa, and the Pushkar Valley—continue to attract counterculture travelers from throughout the world. And just as the visitors have absorbed experiences and material culture, even spiritual wisdom, from their Indian hosts, so, too, have local residents learned a thing or two from their hippie guests.During the past half century, an intense cultural intermingling has taken place in these distant locales, wherelifeways, architectures, and philosophies are exchanged as freely as costumes, music, and hairstyles. This photographic book, the first of its kind, vividly captures the beguiling love affair between East and West in its portrayal of modern-day India and the free-spirited people who travel or reside there—Westerners and Indians, alike. Acclaimed essayist and travel writer Pico Iyer wrote the book foreword entitled “The Long Strange Trip."
While We Sleptis Pete Mauney’s culminating book of a decade spent flipping his sleepschedule to obsessively photograph the firefly population near his home in rural New York State. Mauney’s masterful images depict accurate representations of time, space, and patterns among the lightning bugs illustrating the magic that occurs while we sleep. The book is interspersed with reflections by prominent photographers David Hume Kennerly and Tim Davis as well as biophysicist Orit Peleg and Mauney himself, contextualizing Mauney’s work and process among the arts and science. Mauney’s in depth account of his process through Q & A, attempts to bring the reader into his experience of what it takes to capture the ethereal spirit of the firefly and share some of his first-hand observations of what he’s noticed over time.
FLOSS comprises a collection of monographs showcasing retrospective photographs by Roger Erickson, highlighting Hip Hop and Rock'n Roll music from the 1990s. These uniquely stylized images explore the aspirational, unrestrained and often extravagant nature of artists during an era when Hip Hop culture burst into international prominence. His wholly original vision captures the vitality of urban music, arts and culture in the '90s. Often delving into the psyche of these personages for his inspiration, crafting iconic conceptual portraits that have become synonymous with the recording artists. The celebrities include Snoop Dogg, Dr Dre, Eminem, Joan Jett, Neil Young, Ozzy Osbourne, Ice Cube, Lil'KIm, Chaka Khan, LL Cool J, Fat Joe, Da Brat, Ja Rule, Nelly, EVE, and many more.
Born and bred New Yorker Jill Gill is equal parts artist and author, commentator and collector, a true inamorata of the ever-changing city. Since the mid-1950s, she has captured the buildings and streetscapes of the city (especially those about to be lost to urban renewal) in a series of more than 100 watercolor and ink paintings. The New York she portrays is one of classic movies, vintage postcards, and hand-painted wall advertisements.
The scenes in 'Site Lines: Lost New York, 1954–2022' extend from Midtown South, home of the artist from the mid-1940s to the mid-1960s, to the Upper East Side, where she and her family lived in a historic Rhinelander townhouse. Along the way she passes through Midtown, including storied Fifth Avenue and the Theater District, and the Upper West Side.
Her work includes buildings both important and unimportant that would otherwise have been lost to memory: the glorious Helen Hayes Theater, the Art Deco Horn & Hardart Automat on 57th Street, and blocks upon blocks of ordinary yet distinctive retail and commercial structures. In addition, Gill includes buildings that have themselves been quietly observing the changing city, often changing along with it: St. Bart’s, the Villard Houses, and MoMA before it “ate” 53rd Street. Each scene is accompanied by text that blends in-depth research with first-hand observation.
For more than 25 years, Genevieve has worked in the world’s finest venues, photographing events in Boston, New York, the Southeastern United States and Europe. A storytelling professional, with a keen photojournalist's eye and warm sensitivity to her clients, she documents, in beautiful and evocative images, the weddings of her clients. While 'Silver' is a photographic retrospective, the book also tells Genevieve’s story—from the moment she realized she was a wedding photographer to today, 25 years later. In the book introduction, she states “…the story these photographs tell is one of surprise and delight, love, and gratitude. I am passionate about what I do, constantly exploring and forever grateful that my life and my livelihood are entwined. My days are filled with a seamless flow of rigorous preparation, intense activity, and quiet reflection. Building trust and connection with couples on the cusp of new adventures, I turn moments into memories.”
The war in Ukraine has brought about a newfound curiosity and interest in a country that is often misunderstood. Beloved Ukraine offers a glimpse into this country before the recent conflict, as captured through the lens of National Geographic Society photographer, Paul Chesley, over the course of several years. Beloved Ukraine is a tribute to this enigmatic country and its people.
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